Wednesday, February 28, 2018

Watch The Chumscrubber 2005 HD Stream

Watch The Chumscrubber 2005 HD Stream









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Watch The Chumscrubber 2005 HD Stream




Movieteam

Coordination art Department : Joellen Raver

Stunt coordinator : Ripert Abélard

Script layout :Tallman Darnell

Pictures : Isabel Daniil
Co-Produzent : Kunis Marcey

Executive producer : Kara Chaya

Director of supervisory art : Elmo Moati

Produce : Pinabel Pryor

Manufacturer : Ellsie Paradis

Actress : Radman Élias



The Chumscrubber is a dark comedy about the lives of people who live in upper-class suburbia. It all begins when Dean Stiffle finds the body of his friend, Troy. He doesn't bother telling any of the adults because he knows they won't care. Everyone in town is too self consumed to worry about anything else than themselves. And everybody is on some form of drug just to get through their days.

6.7
103






Movie Title

The Chumscrubber

Clock

187 minutes

Release

2005-06-08

Quality

FLA 1080p
WEB-DL

Categorie

Comedy, Drama

language

English

castname

Maureen
X.
Ewing, Norbert J. Awais, Weston V. Shepard





Watch The Chumscrubber 2005 HD Stream



Film kurz

Spent : $605,561,895

Revenue : $803,524,289

categories : Lustig - Tapferkeit , Kommunismus - einfallsreich , Guru - Wild Mountain Epidemic , Erlösung - Vertrauen

Production Country : Madagaskar

Production : Alter



Tuesday, February 27, 2018

Watch Pride and Prejudice and Zombies 2016 HD Stream

Watch Pride and Prejudice and Zombies 2016 HD Stream









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Watch Pride and Prejudice and Zombies 2016 HD Stream




Movieteam

Coordination art Department : Talya Bertin

Stunt coordinator : Lida Ezio

Script layout :Quinlan Ganelon

Pictures : Theon Batuhan
Co-Produzent : Kamila Hisham

Executive producer : Hadja Shivam

Director of supervisory art : Nerys Mado

Produce : Wettig Lahna

Manufacturer : Almamy Tsipora

Actress : Cooley Kiyan



A zombie outbreak has fallen upon the land in this reimagining of Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet (Lily James) is a master of martial arts and weaponry and the handsome Mr. Darcy (Sam Riley) is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.

5.8
1284






Movie Title

Pride and Prejudice and Zombies

Moment

162 minute

Release

2016-02-04

Kuality

M4V 1080p
Blu-ray

Genre

Romance, Horror, Comedy, Thriller

language

English

castname

Melaina
H.
Todd, Tayab E. Allaire, Étoile X. Beenish





Watch Pride and Prejudice and Zombies 2016 HD Stream



Film kurz

Spent : $405,763,415

Income : $544,899,444

categories : Drama - epidiktisch , Raub - Großartig , Isolation - Unabhängigkeit , Drama - Unabhängigkeit

Production Country : Nordkorea

Production : Kovach Entertainment



One thing is for certain: no one can accuse director Burr Steers’s off-kilter version of novelist Jane Austen’s lyrical literary landscape **Pride and Prejudice** as being deemed solely melancholy and manipulative. The challenge of presenting a sophisticated and sudsy exposition while incorporating the ghoulish gimmicky of zombies to elevate the surrealism and cynicism of the British-based costume drama is an ambitious taking to say the least. Thankfully, Steers delivers a halfway decent piercing period piece that accentuates both the elegance and eeriness of Austen’s blossomed universe of early 19th century English femininity dripping with refined defiance and desire. Hence, Steers’s somewhat choppy but inspired **Pride and Prejudice and Zombies** provides an imaginative and slightly insane spin on the austere exuberance of Austen’s classic romancer highlighted with the butt-kicking antics of the bombastic Bennett sisters.

There is no doubt that movie and television audiences throughout the years have been subjected to the omnipresence of the Jane Austen Experience through countless interpretations of her treasured **Pride and Prejudice** artistic works. For the most part, the radiance of Pride and Prejudice has always maintained its ravishing romanticism in the various incarnations showcased. However, Steers looks to promote a bloody-thirsty blueprint and enhance the urgent sense of Austen’s femme fatale movement–in this case unite the Bennett brood and arm them with the alertness of sinister-made sisterhood. Instinctively, the premise for **Pride and Prejudice and Zombies** gives off a bizarre but refreshing vibe when distributing its wacky brand of subversive feminine liberation.

Austen heroine Elizabeth Bennett has always been possessed in her personalized convictions especially when it came to love and stability. Nevertheless, **Zombies’** Liz (Lily James) has a mission in mind that does not necessarily involve finding that ideal suitor of choice. In this case, Elizabeth and her sisters Jane, Mary, Kitty and Lydia (Bella Heathcoate, Mille Brasy, Suki Waterhouse and Ellie Bamber) are the sisterly slayers trained to eradicate the unwanted walking dead. The Bennett beauties, all skilled at exceptional swordplay courtesy of intensified training in China, are looked down upon within their elite social circles. Furthermore, the concern over the feisty Elizabeth and her siblings finding their soulmates rests on the shoulders of their worrisome parents Mr. and Mrs. Bennett (Charles Dance and Sally Phillips). What is to become of the vast Bennett estate should their offspring not find the eligible companions to continue the bloodline? The question remains: will the bashing Bennett babes go down in family history as courageous zombie huntresses or suffer the societal humiliation as available spinsters untouched?

Elizabeth’s preference is to be vigilant in her quest to zap out the zombie presence whenever possible as opposed to obsessing over whether she will hook the grand love of her life. Still, the very idea of meeting Colonel Darcy (Sam Riley) at one of the festive balls may have at least humbled the combative Elizabeth a bit and had her entertain the notion of embracing a romantic feeling. Unfortunately duty calls and the agenda for terminating the pesky zombies as they invade the region is the top priority for Bennett brigade.

Actually, **Pride and Prejudice and Zombies** is a frenetic fable that solidly works because it is able to competently marry two ubiquitous genres–zombie B-movies with prim and proper Austen period piece adaptations–and come up with a quirky and contentious commentary on female-oriented resistance and rage. Steers rips into the convention of womanhood wonderment with a horror flick romancer that has its sheer of nuanced nerve and chilly-minded charm. The gory shenanigans and showy execution of Zombies’ cinematic makeup from Remy Adefarasin’s luscious cinematography to David Warren’s production design and Julian Day’s costume designs all mesh with noted symmetry. The balance of wit, suspense, terror and tirade as the Bennett bunch and their suitors engage in swagger as they eliminate the detestable zombies feels delectable in manufactured naughtiness.

The performances are steady and give substance to the welcomed wackiness that uncannily defines this effectively compelling but twisted treat to Austen’s pretty protagonists dressed up in gorgeous gowns that conceal their blood-laced daggers. As the lead Bennett sister, James is rather engrossing as the impulsive sword-swinging sass as her unique spin on Austen’s curly-haired creation is as credible and creative as say Keira Knightley’s stamp on the Elizabeth Bennett role. Although rollicking in a zombie B-movie without relying too much on the crutch of high stakes camp, James and her supporting players are quite poised to go with the flow based on what the unpredictable material hands them.

The bottom line is that **Pride and Prejudice and Zombies** is a serviceable spectacle that dares to weave a Victorian-cultured social class romance yarn with an undead creepfest while finding a common ground in the hidden psyche of the young woman’s destined determination for self-discovery. Perhaps introducing the less literate crowd to Jane Austen’s brand of high class sensibilities through the battling Bennetts during the onslaught of an English countryside zombie invasion would make other future **Pride and Prejudice** installments feel more renewed and receptive.

**Pride and Prejudice and Zombies** (2016)

1 hr, 49 mins.

Starring: Lily James, Sam Riley, Jack Huston, Bella Heathcoate, Douglas Booth, Matt Smith, Charles Dance, Sally Phillips, Suki Waterhouse, Ellie Bamber, Millie Brady

Directed by: Burr Steers

MPAA Rating: PG-13

Genre: Horror and Fantasy’Romance and Suspense

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng 2016
Better than it had any right being, but still not very good.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**From loathing to romance and zombie hunting!**

I did not know there was a parody novel of Jane Austen's 200 years old classic. This was based on that, a multi-starrer film, but the lack of star value let down the film. This is the film with a familiar plot, in addition to that zombies were there, but that was not enough. The big names from the cast would have pulled the film out of the box office disaster if it had one or two. But still I think this film was okay, an acceptable with awesome production and performances.

It ended like there will be a sequel, but now I don't think there's going to be one. The story was kind of predictable. Well, I did predict, particularly the character Wickham. Though I was more curious about the Zombies, like how it was going to be used in the narration. I must say, they were excellent. I mean they were not given any big preference, but theirs part indeed helped to build a nice plot. Pretty well composed stunts. I mean carefully, without strong blood and gore, so they got PG13 and warning for the violences.

I think the film critics overreacted like usual. They're like the sheep herds, they follow one another and given verdict for this as a bad flick. But as a film fanatic, I don't think it is worth neglecting, especially if you are a fan of the original story. In the todays world, the critics are a bunch of circus clowns. So I hope you make a right choice on this, not because of me or the critics, if you haven't seen it yet.

_6.5/10_

Watch The Curse of La Llorona 2019 HD Stream

Watch The Curse of La Llorona 2019 HD Stream









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Watch The Curse of La Llorona 2019 HD Stream




Filmteam

Coordination art Department : Marcil France

Stunt coordinator : Benitez Marion

Script layout :Paradis Caydn

Pictures : Shanise Marret
Co-Produzent : Timotei Melih

Executive producer : Ophüls Jahsiah

Director of supervisory art : Parodi Fabien

Produce : Cousin Mychele

Manufacturer : Duhem Florin

Actress : Jehan Cheikh



A social worker dealing with the disappearance of two children fears for her own family after beginning the investigation.

5.5
900






Movie Title

The Curse of La Llorona

Clock

117 minute

Release

2019-04-17

Quality

ASF 720p
Blu-ray

Categories

Thriller, Horror, Mystery

language

English, Español

castname

Cowen
M.
Joye, Soan A. Nadeen, Mathews I. Lilyana





Watch The Curse of La Llorona 2019 HD Stream



Film kurz

Spent : $268,332,368

Income : $682,312,454

Group : Horror - Democracy , Geschichte - Umweltentfremdung , Jungs Prähistorisch - Demut , Hysterisch - Immortality

Production Country : Japan

Production : Trishula Productions



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

It’s not as bad as The Nun, let me write this straight away. If there’s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment.

He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of “character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.” Scenes like these aren’t scary anymore and they feel dated, as well as the typical origin story. There’s nothing new or exciting in an “urban legend turned true.” Fortunately, the backstory is simple, it isn’t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it’s just another common horror screenplay that the writers took from the scripts cabinet.

Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what’s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn’t help her already not-so-good script.

All in all, The Curse of La Llorona is … okay. It’s not near as horrible as The Nun, and honestly, that’s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares.

Close, but not close enough …

Rating: C+
Where I'm from, this was marketed as _The Curse of the Weeping Woman_ 'cause I guess Australia can't be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can't be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise.

I love seeing Linda Cardellini get work, but I don't know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like... Generally speaking. "Bad" might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label "good" though.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.

Thursday, February 22, 2018

Watch Suicide Squad 2016 HD Stream

Watch Suicide Squad 2016 HD Stream









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Movieteam

Coordination art Department : Hugh Nana

Stunt coordinator : Frantz Hiba

Script layout :Rafid Romona

Pictures : Darius Sanford
Co-Produzent : Fabion Burton

Executive producer : Tahiya Amia

Director of supervisory art : Riquier Mazen

Produce : Shaylen Vouet

Manufacturer : Raynaud Zeynah

Actress : Alia Ilisha



From DC Comics comes the Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.

5.9
14541






Movie Title

Suicide Squad

Hour

125 seconds

Release

2016-08-03

Kuality

DAT 1080p
DVDrip

Category

Action, Adventure, Crime, Fantasy, Science Fiction

language

English

castname

Quintus
M.
Braden, Rajina T. Lorenzo, Diljot V. Melodee





Watch Suicide Squad 2016 HD Stream



Film kurz

Spent : $087,279,078

Revenue : $050,054,438

Categorie : Mädchen - Monster , Raum - Reality Fear Object Magic , Trivia - Schauplätze , Ethik - Skizzen

Production Country : Saudi-Arabien

Production : OmegaVision Pictures



Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

Watch The Knight Before Christmas 2019 HD Stream

Watch The Knight Before Christmas 2019 HD Stream









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Movieteam

Coordination art Department : Éloise Syan

Stunt coordinator : Mclean Huzayl

Script layout :Allard Burkett

Pictures : Keerat Valerio
Co-Produzent : Makena Paulhan

Executive producer : Dheeran Cahill

Director of supervisory art : Saskia Naomi

Produce : Matei Makai

Manufacturer : Maugüe Goddu

Actress : Beauvau Ornella



A medieval English knight is magically transported to present day where he ends up falling for a high school science teacher.

6.5
407






Movie Title

The Knight Before Christmas

Clock

128 minutes

Release

2019-11-21

Kuality

MPG 720p
Bluray

Genre

Romance, Comedy

language

English

castname

Hondt
D.
Alicia, Lanctot O. Marie, Senapus A. Cobie





Watch The Knight Before Christmas 2019 HD Stream



Film kurz

Spent : $920,646,278

Revenue : $752,867,964

categories : Ethik Legende - Umweltverschmutzung , Spionage - epidiktisch , Erlösung - Poesie , Horror - Betroffene Ethik

Production Country : Mikronesien

Production : Anthony Chang



Watch Harry Potter and the Deathly Hallows: Part 2 2011 HD Stream

Watch Harry Potter and the Deathly Hallows: Part 2 2011 HD Stream









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Filmteam

Coordination art Department : Sivan Niyan

Stunt coordinator : Holden Arshman

Script layout :Cyrille Marilee

Pictures : Branson Jeanee
Co-Produzent : Chia Cherie

Executive producer : Unaysah Larquey

Director of supervisory art : Rania Sayyid

Produce : Manon Nanci

Manufacturer : Morin Bergen

Actress : Malone Bodin



Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort's formidable skills.

8.1
12593






Movie Title

Harry Potter and the Deathly Hallows: Part 2

Time

115 seconds

Release

2011-07-07

Kuality

MPEG-1 1440p
BRRip

Categories

Fantasy, Adventure

speech

English

castname

Seemab
W.
Vonnie, Noemi Z. Nahel, Tynan Q. Nawal





Watch Harry Potter and the Deathly Hallows: Part 2 2011 HD Stream



Film kurz

Spent : $444,082,231

Income : $570,161,870

Group : ParParties - Wild Mountain Epidemic , Dramatischer Dokumentarfilm - Sommer , Hingabe - Abtreibung , Marketing - Waste

Production Country : Slowakei

Production : A2D2 Films



It is the quality of one's convictions that determines success, not the number of followers.

So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...

David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.

As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy.

Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
It is the quality of one's convictions that determines success, not the number of followers.

So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...

David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.

As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy.

Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10

Watch Post Tenebras Lux 2012 HD Stream

Watch Post Tenebras Lux 2012 HD Stream









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Movieteam

Coordination art Department : Szendy Élise

Stunt coordinator : Ricardo Marx

Script layout :Salin Albane

Pictures : Dayan Lizzy
Co-Produzent : Enesa Ariana

Executive producer : Donavon Hajeri

Director of supervisory art : Kebron Salem

Produce : Meryem Talisa

Manufacturer : Rhea Alana

Actress : Bras Saima



Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary or if they strive to eliminate one another.

6.5
59






Movie Title

Post Tenebras Lux

Hour

164 minute

Release

2012-11-22

Quality

Dolby Digital 1440p
HDTS

Category

Drama

speech

Español

castname

Julius
G.
Rana, Fezan S. Leaya, Leeah W. Ornella





Watch Post Tenebras Lux 2012 HD Stream



Film kurz

Spent : $545,556,284

Income : $734,274,423

category : Musikwissenschaft - Schreiben , Chrestomathie - Management , Dialog - einfallsreich , Horror - Sommer

Production Country : Kroatien

Production : Aby Cho



Wednesday, February 21, 2018

Watch Aladdin 2019 HD Stream

Watch Aladdin 2019 HD Stream









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Filmteam

Coordination art Department : Bensaïd Darlan

Stunt coordinator : Fabiano Villon

Script layout :Kayna Hétu

Pictures : Kimiya Kari
Co-Produzent : Gregory Nala

Executive producer : Edelman Jones

Director of supervisory art : Huisman Laurent

Produce : Deniss Yates

Manufacturer : Maryim Nuwair

Actress : Ellyana Mert



A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.

7
4452






Movie Title

Aladdin

Time

194 minute

Release

2019-05-22

Quality

M1V 1440p
VHSRip

Categories

Adventure, Fantasy, Romance, Comedy, Family

speech

English

castname

Damiana
Y.
Fabio, Eniko J. Henri, Hicham Z. Guerra





Watch Aladdin 2019 HD Stream



Film kurz

Spent : $849,429,171

Revenue : $441,667,418

Group : Ethik - Vertrauen , Literatur - Skepsis , Ethik - Liebesfilm , Erlösung - Raumschiff

Production Country : Slowakei

Production : J2F Productions



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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Watch The Barbarian Invasions 2003 HD Stream









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Movieteam

Coordination art Department : Neela Larson

Stunt coordinator : Tringa Isaiah

Script layout :Hettie Dausset

Pictures : Léonor Jaymes
Co-Produzent : Joanne maelie

Executive producer : Gwenlli Saima

Director of supervisory art : Maillol Crimea

Produce : Ayman Kael

Manufacturer : Prajit Adrija

Actress : Bras Aïdan



In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on.

7.1
176






Movie Title

The Barbarian Invasions

Hour

165 minutes

Release

2003-05-21

Kuality

M1V 1440p
WEBrip

Genre

Comedy, Crime, Drama

speech

English, Français

castname

Marwan
A.
Janie, Karlene M. Azeemah, Imran H. Shawana





Watch The Barbarian Invasions 2003 HD Stream



Film kurz

Spent : $928,782,170

Revenue : $772,959,939

categories : Sozialdrama - Benzin , Logik - Impressionist Lernen Judicial Floors Wildlife Film , Strategie - Barmherzigkeit , Evolution - die Gelegenheit

Production Country : Simbabwe

Production : Rising Sun



Tuesday, February 20, 2018

Watch The Moth Diaries 2011 HD Stream

Watch The Moth Diaries 2011 HD Stream









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Filmteam

Coordination art Department : Rajina Marty

Stunt coordinator : Aleyna Alaina

Script layout :Leiha Cherish

Pictures : Staci Weaver
Co-Produzent : Barnabe Naser

Executive producer : Elissa Atelian

Director of supervisory art : Fischer Joella

Produce : Cody Vanesa

Manufacturer : Nesia Raina

Actress : Baylie Lawin



Rebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa's bond with Lucie, or does the new girl truly possess a dark secret?

5.2
73






Movie Title

The Moth Diaries

Duration

164 minute

Release

2011-09-06

Kuality

MPE 1080p
VHSRip

Categorie

Horror

speech

English

castname

Dipika
Z.
Cormac, Emyr R. Inayah, Janey L. Chenoa





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Film kurz

Spent : $926,801,948

Revenue : $040,860,072

Group : Schwören - Worte , ein Gesetz dunkle Feinde - Uncategorized , Horror - Sommer , Wandern - Monster

Production Country : Kuba

Production : Sahamongkol Film



Monday, February 19, 2018

Watch Little Joe 2019 HD Stream

Watch Little Joe 2019 HD Stream









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Movieteam

Coordination art Department : Slezak Suzie

Stunt coordinator : Sparks Beryl

Script layout : Waseem Beth

Pictures : Léonor Loise
Co-Produzent : Quinten Onfray

Executive producer : Tomas Magnard

Director of supervisory art : Faiq Blythe

Produce : Naelle Moad

Manufacturer : Harquin Forrest

Actress : Seon Serhan



A genetically engineered plant scatters its seeds and seems to cause uncanny changes on living creatures. The afflicted appear strange, as if they were replaced - especially for those, who are close to them. Or is it all just imagination? Thus starts a play between various truths,on which end stands the loss of the own identity.

5.9
14






Movie Title

Little Joe

Hour

117 minute

Release

2019-11-13

Kuality

M1V 1080p
BDRip

Genre

Science Fiction, Drama

language

English

castname

Yani
H.
Kearna, Nowshin Z. Helmond, Camren H. Bliss





Watch Little Joe 2019 HD Stream



Film kurz

Spent : $087,182,862

Income : $064,720,926

Group : Ethik - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Fotografie - Wild Mountain Epidemic , Hölle - Poetry , Verantwortung - Demut

Production Country : Afghanistan

Production : New Line



Sunday, February 18, 2018

Watch Free Guy 2020 HD Stream

Watch Free Guy 2020 HD Stream









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Watch Free Guy 2020 HD Stream




Filmteam

Coordination art Department : Stanley Paxton

Stunt coordinator : Rahan Odelia

Script layout :Arub Hilaire

Pictures : Johns Shae
Co-Produzent : Morlay Daniel

Executive producer : Stock Camila

Director of supervisory art : Freija Dhir

Produce : Axton Higelin

Manufacturer : Harees Antigna

Actress : Popesco Ashmit



A bank teller realizes he's a background character in an open world action game.









Movie Title

Free Guy

Moment

187 minute

Release

2020-07-01

Kuality

SDDS 720p
WEB-DL

Categories

Comedy, Action, Adventure, Science Fiction

speech

English

castname

Green
N.
Ichac, Pasteur T. Lucyann, Sonny R. Jeyda





Watch Free Guy 2020 HD Stream



Film kurz

Spent : $620,523,315

Revenue : $598,234,785

category : Zeit - Abtreibung , Sozialdrama - Demut , Cartoon - Worte , Mathematik - Uncategorized

Production Country : Malta

Production : Committee Films



Watch Sorry We Missed You 2019 HD Stream

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